الممارسة العرفانية في التراث العربي من نسق الإنتاج إلى نسق الاستقبال

الملخص EN

This paper aims at shedding light on the aspects of cognitive practice in the Arabic and Islamic patrimony.

Therefore, it focuses on the critical and rhetorical act by tracking down the beginning point of the cognitive thinking amongst Arabs.

It is to say that Arabs had been pioneers in questioning about many cognitive matters thanks to their encyclopedic thoughts.

For such deed, they adopted a strategy based on the cognitive interference in explaining the act of creativity.

They tended to discuss the standards which the creative discourse requires to be implemented; such as cognition, cleverness and creative memory.

They well went in details concerning the mechanism of cognitive formulation especially the ways of construction, composition and imagination.

They also discussed the mechanism of the cognitive reception and treatment considering it the stage that follows the creativity.

The reception and treatment stage is, according to them, linked to the receiver, and relied on inference to construct understanding and meaning.

The Arabs’ approach of the act of creativity is set upon the paradigm of mind production and social imaginary which are imposed by the literary savor.