الأساليب الفنية و تحولاتها في الفن المعاصر

الملخص EN

This study deals with the study styles of art and in Their Transformations contemporary art.

It is divided into four chapters, the first of which is devoted to problem of the Research, the importance, need for it and its purpose, which is limited to identifying the mechanisms of transformations of style in contemporary art And mechanisms of technical work, within a period of time spanning 1965-2004.

Which saw the most important elements of contemporary art, which was a wide and rich production, and ended the chapter to define terminology and define the method of procedure to serve the purpose of research and tools.

The second chapter deals with Concept of the style and Stylistic transformations in contemporary drawing The second chapter concludes with the indicators of the theoretical framework and the previous studies, which included the most important of the theoretical framework of indicators and concepts, The research.

procedures started from the collection of works of art that represent the different artistic trends and ended with what was analyzed as a sample.

Chapter 3, which resulted in the results and conclusions that responded to the research objective, was presented with recommendations in chapter 4 of the research, summarized as follows: 1.Introducing the current trends within the mechanisms of visual work unfamiliar; new methods on the technical achievement through the work of the total emptiness of the halls of presentation and performance, body and nature and the use of technological industries, to become the concept of traditional painting to the works of art constitute visual discourse.The emergence of many different concepts on which most artistic trends were based in the production of contemporary themes such as disassembly, fragmentation, tampering, consumption, marginalization, anxiety, fear.

sex.

alienation, and vomiting.

3.Requirin the presence of the recipient in some contemporary works of art; as an integral part of the work; by involving his vision or relying on his expressive body performance.

His existence was associated with an unstable, modem visual vision determined by changing the pattern of traditional structural relations.