الممثل و التناص الأدائي في العرض المسرحي

الملخص EN

'Intertextuality' is a "literary" term that is derived from the term "Text" with all the meaning the term conveys, because it is a concept that indicates the existence of original representations in the field of literature and is related to other texts and that these texts exercised direct or indirect influential authority over the original text.

The process of intertextuality and the employment of the term made possible by the openness of the human sciences on each other, so that the term "sign", for example, and not limited to, became more relevant to the theatrical performance, especially the activity of intertextuality in other arts such as fine, musical and cinematic arts.

This gives us the spirit of adventure and heterogeneity in the use of the term (intertextuality) in the play, and more accurately the actor's actions in the play.

According to this the writing of this research came in an introduction which proposed the problem of the study, its significance and the aim and the limits of the research work.

The theoretical framework included two topics: the first entitled (the scope of knowledge of the concept of intertextuality) and the second (entitled "The acting system of the intertextual performance in the play).

Finally, the procedures of the research are presented and the sample of the study which is intentionally proposed in the theatrical performance (Solitary) by playwright Haider Juma', directed by Bade' Nadir, then the results of the research most important of which is (Collective memory has a participatory influence among the theatre actorsin the making of the performance intertextuality inside the theatre performance system, while the cultural authorities of the actor helped in the transformation from the area of the theatrical intertextuality to draw a performance map in the play performance.) A Discussion of the results is also added and finally the margins of the research followed by the summary of the research in English.