الأسطورة و تمثلاتها في النحت الهندي القديم

الملخص EN

All the ancient religions retain their own legacies.

Religions can not grow and become more complex without the creation of their own legends, and the heritage of a nation or a people devoid of mythology, which in turn occupies a broad place in its thought, The ancient man to search for the origin of things and the beginning of creation and try to understand the secrets of the universe and nature, which in all this has not ceased to believe in ideas and concepts and beliefs of the Supreme.

According to the culture, beliefs and the reality of the society, myths were formed.

Each society has its own myths.

The first thought from which myth originated was important in the study of human thought because it is one of the first attempts in the history of human thought to develop philosophical concepts aimed at finding solutions to the secrets of nature and phenomena.

India's religious beliefs and legends are the basis of all social systems.

In India, social systems are really only religious systems, and we see the important role that religion has always played in the people of India.

The development of religion is an essential element in the division of civilizations.

These developments are imperceptible when viewed from century to century, and appear great when viewed in centuries-long roles.

The present study deals with the study of myth and its representations in ancient Indian sculpture.

The research contains four chapters: The first chapter includes a presentation of the problem of research and identified by the following central question: - Was the legend in ancient Indian sculpture? - What are the legendary representations of ancient Indian sculptures? As well as the importance of research and the need for it.

The aim of the study is to: - You know represents the legend in ancient Indian sculpture.

The study identifies the study of ancient Indian statues.

The period was determined in India from the eighth century to the thirteenth century AD.

The second chapter included the theoretical framework, which included three topics.

The first section included the study of the mythology.

The second topic (mythology in Ancient Indian Civilizations) was included in terms of thought and philosophy.

The third topic (the legendary thought in ancient Indian art) ), The theoretical framework ended with the identification of research indicators, followed by previous studies.

The third chapter included the research procedures that dealt with the research society, which included the framework of the study society (20) reserve work.

The sample of the study consisted of (4) sculptural works.

The chapter dealt with the research methodology, the research tool, and the analysis of the research sample.

Chapter IV addressed the main findings and conclusions of the research, as well as the recommendations and proposals.

The study concluded with a list of sources, references and annexes.