سيمائية الألوان في شعر مسكين الدرامي

Abstract EN

This study aims to determine the semantic formation of the color sign in the poetry of the miskeen al-Darami, so it tracked the movement of color functions to reach the connotations taking into account the context of its various types, and the semiotic approach was taken as a way to achieve the desired goals, as it tried to answer a set of questions, the most important of which are: What are the semantics of colors in Darami poetry? What is its effect on the same reader? How do you explain the predominance of indirect colors in his poetry? What is the relationship of colors to the environment? What is the relationship of color to the linguistic formation and the artistic image? Was he able to use color to express the conditions of self-conflict? Did he surpass the prevailing connotations of color in his era? Were the adaptive relationships available between the connotations of colors in the poetry of poor al-Darami? What is the relationship of colors to his poetic purposes? The study found results, the most important of which are: that the poet derives most of the colors from the aspects of nature and the universe, and that most of his colors tended to be tan by mixing colors as an expression of concern that does not leave his heart from the tan of his skin, the lack of money, and the bad relationship with women, so the pictures prevailed.

Nightlife on his hair, but he was not sad or weak, but overcame his obsessions and succeeded in forming societal awareness with new aesthetic values, the most important of which is that black is a symbol of beauty.