تقنيات التشكيل البصري في النص الشعري الجزائري المعاصر

Abstract EN

There is no more difficult to talk about contemporary Algerian poetic text because it is no longer just words and ideas, but in one form or another it represents other elements not previously recognized in our ancient Arabic literature; these elements are accessible by sight, it is not meant to understand the intent of the text.

This is according to a linear form chosen by the poet for the poem.

Hence, there has been a shift in the way of receiving the contemporary poem that has become more influential in silent reading than ever before.

Which has created a fertile ground to generate a visual identity of the texts, and in this way the writing of the poetic poem has become in its meaning and the framing of its path.

This has been clearly demonstrated by visual techniques adopted by contemporary poets in the writing of their poetic texts in various forms, such as the technique of black and white, Punctuation marks, and so on.