التنظيم السردي بين الخطاب المسرحي و السينمائي

Abstract EN

Our presence is filled with endless accumulations of tales; each group and all individuals produce and consume an infinite number of tales.

The importance of narration in the lives of human societies has created for us various forms and models that bear the responsibility of publishing and distributing various stories through different rhetorical stands: books, theater, audiovisual films; cinematography and social media.

In this context, we will try in the following article to an analytical approach to the narrative organization process in both theater and cinematic discourse; using the tools of semiotic a narrative analysis by posing the following problem: How is the narration producing in the theater an cinema discourse ?what is the specificity of each letter ?.