الفيلم الحداثي من البنية التشكيلية إلى البنية السينمائية : فيلم 300 لزاك شنايدر أنموذجا

Abstract EN

Our research starts from the problemof overlapping arts (plastic /cinematic), ie the limits of each art, orin other words where the cinema startsand where the formation ends, pointsof difference and convergencebetween the arts, and considering thetopic is important, we talked about thecommon points between these twovisual arts, and there for ewe limp Onthe elements of the plasticconstruction of: point, line, shape, mass, vacuum, frame, unity, balance.

As a sample of our research, we tookZach Schneider's film 300 as a model.

This film was about a work of art andwe found a great similarity betweenthe fine drawings in the magazine andthe footage, which led us to theconclusion that the art is consideredas a reference in the construction ofthe shot in the feature film in the Postmodern Era.

The aim of this research is to findthe relationship between plastic artand cinematography, how cinema artinvests from plastic art, and the role ofplastic elements in building the shot.

We have reached through this study toan important result, where we foundthat the painting is a technical andaesthete tic reference from which thedirector draws his imagination to builda film shot.