نظم الاشتغال الجمالي و التقني بين السينما و الفن التشكيلي

Abstract EN

Cinema is a cultural tool of great influence, to form awareness and at the same time can be considered a stereotype that is not due to its scope or character but to what it aims to, it is a dual-object to the harm of the film discourse, and the painting plays a prominent role in addressing the masses, there is overlap.

For the visual arts together they present images crammed with emotional vibrations and even commercial exuberance, to rise in the construction of the recipient's question with the appropriate intellectual and cultural level, especially after the artist got rid of the compulsory simulation that for ages has set the boundaries between each artistic race and another, to seem The visual product before us is full of artistic and aesthetic thinking and processing functions, with reference techniques and levels of multi-thought, in order to develop the artistic culture as a simultaneous process and at the same time inherent to the public, linked to the value of the communication act between cinema and fine art, and this is what our study aims at in The search for the relationship between fine art and cinema, in their different dimensions and unity, dissolved in the scene of juxtaposition and aesthetic dialogue that translates the creativity of the artist and the skill of the film director