Quand dachra oscille entre coin de magie noire et titre de film horteur : lecture esthétique et analytique

Abstract EN

Throughout the history of the humanity, and not withstanding of the humankind; the black magichas always been, and is still, an ugly and frightening human folklore in many cultures, whateverwould be their religions and beliefs; and from which, they are still suffering until nowadays, dueto its distinction with mysterious and suspicious practices that have been imprinted in theidentity of mankind, as a point of contention that transcends different sects and races.

Discussingsuch issue is deeply hated by most of the populations, due to the huge rate of horror and frightens itmay push the interlocutors to feel: what if such an internationally suffering from problematic istreated through a motion picture? Would its receiving and comprehension be better and easier? Andhow would a horror movie be an author and social one at the same time? Will there be a differencein the way of receiving it by the audience? And would the fact of being predecessor and identitarianat the same time, positively influence its distribution? We will try to answer all those questionsthrough our article.