الأفلام الثورية الجزائرية و تجليات الهوية الوطنية : قراءة في فيلمي خارج عن القانون و معركة الجزائر

Abstract EN

Film directors strive to provide cinematography that satisfies the viewer and influences him, for a number of reasons, including material and moral.

The first is to gain a greater number of revenues because it is primarily a industry; its goal is to achieve profit for continuity.

The second is to promote the ideas, principles, and values that the film holds.

The success or failure of the movie is measured by the percentage of viewership, and the result is the emergence of cinematographic production and distribution institutions that oversee the marketing of the film.

The latter, which is considered among the strongest media outlets to influence its technical power and image, which penetrates into the depths of the viewer and influences it, so national ideas are cultivated, and the Algerian revolutionary films may be a good example of this, as many of them embodied scenes of patriotism The concepts of identity, nationalism, and the rejection of colonialism were sown in all its forms.

The viewer continued many of them since independence, and continues to follow, but the concepts of viewing that depend on the cinema halls have changed today for several factors and reasons.

It raises questions and attempts to know the real reasons for this, and to suggest solutions if possible.