السينما في الجزائر من الصورة النمطية للأوتكتون إلى الصورة الذهنية للثورة

Abstract EN

Propaganda through cinema is one of the most prominent pillars on which the French and Algerian media relied, in its review of the issue of the liberation war, between the consecration of colonial stereotypes and the elaboration of militant concepts in the mental images of the revolution, which is what we seek in this study, by placing academic determinants in analytical readings The repercussions of ideas across the screen during the French colonial period in Algeria, and the pursuit of a scientific method based on research and investigation of its apparent and inward implications.