التحطيب كأحد ملامح الهوية في السينما المصرية

Abstract EN

Novel Cinema is instrument of culture mechanism, the dignity depends on cultural background which recalls the cultural heritage of every nation within many generations concentrate into unconscious of the notion as principal element of unified accumulated dignity has ability to melt different factors into unified formula fascinated by every individual belongs to certain society with defense for justification of as interest, the movies presents some elements of popular heritage as one instrument of configuration of society culture in Egypt by promoting, spreading of indirect massages, ideas express recitals and compound contents.

This study aims to arrive to fascinating cinema of Egypt by one of dignity feature of Altahtib which express innovating heritage and real culture at our society in special features of the Egyptian community with its habits, traditions, arts, folks within cinema of Egypt ascertains specific, confidential feature at this community which reflects privacy of character in folkloric styles as different from folks of other peoples.

Altahtib is Egyptian art comes from ancient phaoronic origins by Altahtib as daily style in age of pharos, at modern age, this habit use din celebrations of country side, upper Egypt, districts of south as type of popular heritage.

This game is distinguished by accurate performance, coordinated movement and technical finish, the Egyptian cinema expressed its items at many movies appeared at celebrations of marriage, birth, other ceremonies.

Study problem:
- In regard to some factors of popular culture in Altahtib as popular game into Egyptian community as feature of dignity as visual items within technical production presented at many cinematic films.