ثنائية التذكر و النسيان في مطلع القصيدة العربية القديمة : بحث في علاقة الشاعر بالجماعة

Abstract EN

The first verses of the poem have a very essential role in ancient Arab poetics, and classical tradition sees that the poet must begin qasida by standing on the ruins to remember the past and to evoke various aspects related to it , but some others, especially those belonging to the Abbasid era, were freed - to varying degrees - from this stereotypical view.

Some of them rebelled against him, urging them to forget the past and bring the poem closer to the present.

Several poets have replaced ruins with wine, a symbol of oblivion.

But it is not only a question of submitting to a literary tradition or of freeing oneself from it.

Remembering and forgetting reflects the relationship between the poet and his social circle.

The present study will try to examine this relationship while basing itself on the concept of collective memory developed by the French sociologist Maurice Halbwach.