الموسيقا و الغناء في الدولة العربية الإسلامية : العصر العباسي أنموذجا : دراسة تاريخية
Other Title(s)
Music and singing in the arab Islamic state : the Abbasid era is a model : historical study
Author
Source
Issue
Vol. 2019, Issue 80، ج. 1 (30 Jun. 2019), pp.433-453, 21 p.
Publisher
University of Diyala College of Education for Human Sciences
Publication Date
2019-06-30
Country of Publication
Iraq
No. of Pages
21
Main Subjects
Topics
- Social history
- Musical Instruments
- Ruling in Islam
- Social participation
- Political history
- Cultural conditions
- Freshwater
- Abbasid period
- Music
- Musical scale
- Cultural aspects
Abstract EN
Music is an important aspect of a comprehensive civilization, especially if it is based on social life and political history.
It has a close connection with the elements of civilization and is based on a scientific basis that includes nature, sport, astronomy, literature and other arts.
Architecture, sculpture and dance, and that the Arwere the first to express music in its theoretical and practical aspects, by studying the nature of musical dimensions, laws, vibrations of tendons, sound waves, spread and composition of distances, musical stairs, various toning systems, , Ringtones compatible and dissonant, and different vocal colors of musical instruments to know the precise parts of the ear and throat because of its paramount importance in deepening the sense of music, and is linked to the Iraqi music evolution closely Cohesive events Iraqi history, and the changes that have taken place in the cultural conditions.
Iraq begins to play a central role in the history of music since the dawn of history in the first civilizations, and is determined according to the history of the Assyrians, and since Baghdad is the largest center of musical radiation in the Abbasid era, which can be accessed by land and sea routes, which is the oldest and most used road corridors, It follows that the permanent link between Baghdad and Basra can be explained not only in terms of trade but also in cultural and intellectual aspects.
This is why one can understand the motives of the caliphs in Baghdad to invite singers, performers and poets to Baghdad.
T the peak of progress in the first Abbasid eras and the second, as who visited Baghdad sees quiet scenic mangroves fresh water and appropriate schedules, and the slopes of the valleys and plains realize that explode in the same artist creative inspiration and exceptional values.
The link between art and natural life conditions and mental events in the political and social history of Iraq since the Islamic conquest until the fall of Baghdad in (656 e) is the essence of artistic progress and music, because art is the true gateway to the conditions of society, man and time, and any striking of art on the ground is in The truth is for his historical, social, and human mission that becomes the original gateway and its renewable dimensions
American Psychological Association (APA)
سميعة عزيز محمود. 2019. الموسيقا و الغناء في الدولة العربية الإسلامية : العصر العباسي أنموذجا : دراسة تاريخية. مجلة ديالى للبحوث الإنسانية،مج. 2019، ع. 80، ج. 1، ص ص. 433-453.
https://search.emarefa.net/detail/BIM-1035633
Modern Language Association (MLA)
سميعة عزيز محمود. الموسيقا و الغناء في الدولة العربية الإسلامية : العصر العباسي أنموذجا : دراسة تاريخية. مجلة ديالى للبحوث الإنسانية ع. 80، ج. 1 (2019)، ص ص. 433-453.
https://search.emarefa.net/detail/BIM-1035633
American Medical Association (AMA)
سميعة عزيز محمود. الموسيقا و الغناء في الدولة العربية الإسلامية : العصر العباسي أنموذجا : دراسة تاريخية. مجلة ديالى للبحوث الإنسانية. 2019. مج. 2019، ع. 80، ج. 1، ص ص. 433-453.
https://search.emarefa.net/detail/BIM-1035633
Data Type
Journal Articles
Language
Arabic
Notes
-
Record ID
BIM-1035633