الاغتراب و محنة الذات في شعر محمود سامي البارودي : مقاربة دلالية

Abstract EN

The phenomenon of alienation in poetic language constitutes an artistic allusion in the structure of modern poetic discourse, and an aesthetic horizon for the modeling of Arabic poetry, because of the expression and style of this type of poetry, which is prominently manifested in the way the poet paints the condition of the self and the method he employed as a product of the pain and separation that A line on the lives of many of them according to the political, social and cultural circumstances that affected many Arab countries as a result of colonialism, the Arab poet worked to combat these developments through his poetic contents, Their punishment was either imprisonment or exile away from home, Al-Baroudi, along with a constellation of leading poets in this field, suffered seventeen years of alienation in Serndebe, and this alienation was prominently crystallized in his poems during his exile.

From there, this paper seeks to discuss the phenomenon of alienation during the exile of Al-Baroudi, and the most important technical indicators of it in his poetic texts based on his own vision, and the theory of this term (alienation) in the monetary field, and especially in the Western critical thought, which has made important strides in the representation of this Component.

From this basis, the following problems arise: what is the concept of alienation? To what extent was Al-Baroudi able to draw the contours of the ego created for the text based on the manifestations of alienation?