انفتاح النص السردي و إشكالية التصنيف : قراءة تجنيسية في "شهيا كفراق" لأحلام مستغانمي

Abstract EN

The subject of literary genre and the extent of their commitment to the limits or their identification is considered as one of the old modern topics, if this classification dates back to Aristotle and Plato; it has come back to be raised again, especially in the light of creative and critical development.

We have become aware of the convergence of a number of literary species in one text.

Hence, form this reality emerge both novel and narrative art as a whole to be the most receptive kinds and containment of other kinds.

Ahlem Mostghanmi’s new book “ Shahian Ka Firak” comes as a model to stand on that inter-space of a number of literary genres such as biography, article and novel ...

In a tissue harmonious enough to come in a single text, but within which genre we may associate this text especially after the writer worked in close quantities on the spaces of the imagination and the truth.