إيقاع الشعر العربي و المفهوم الغائب

Abstract EN

If the first mistake in the history of percussion studies, some researchers count is unjustly and wrongfully rhythm and offers two things for one structure, And they interpret the Prosody that rhythm theory definition, and from there attended Prosody as a procedural text.

And you didn't bring the theory of rhythm and there were many generations Not understanding « AL- khalil bin Ahmed Al-farahidi », And rhythm and arabic poetry, The second error is perhaps the first error committed, is marginalization of offers and rhythm in critic lesson, Critics have given it lower, shorten every rhythm in telling the author of the book « Arabic Poetry column » The poet chooses delicious weight.

And then you missed a critical criterion in the poet's performance, and missed with what impact impact occurs.