الرؤيا و التشكيل في ديوان الشاعر التونسي نصر سامي : "سفر البوعزيزي" أنموذجا

Other Title(s)

Vision and formation in the poetry of the Tunisian poet Naser Sami : "Sefer al-Bouazizi" as an example

Dissertant

حمادنة، محمد شمس الدين بادي

Thesis advisor

ربيع، إيمان محمد أحمد

University

Jerash University

Faculty

College of Arts

Department

Department of Arabic language

University Country

Jordan

Degree

Master

Degree Date

2019

English Abstract

This study, titled ("The Vision and Formation" in the Tunisian poet Nasr Sami's book "Safar al-Bouazizi"), was designed to illustrate the relationship between artistic and aesthetic composition and the human and political vision formed through these artistic and aesthetic values.

Aesthetic art for one reason or another becomes allusive or implicit.

Therefore, artistic and aesthetic formations necessitate a state of deception and deception, requiring meditation on the one hand, and the interpretation permitted by the poetic texts on the other.

This study appears as follows: introduction, preface, two chapters, and a conclusion.

The introduction talks about: the importance of the study, its objectives, justification for its selection, previous studies, and the methodology followed in the research work.

As for the preface, it deals with the poet (his life and poetry), and his literary and cultural production.

The first chapter tackles the vision in the poetry of Nasr Sami, "Sufr al-Bouazizi", as a model, and it comes in two sections: first, the vision of language and terminology, and the position of the critics of (vision).

As for the second topic, it stops at the direction of the vision in the poetry of Nasr Sami, in terms of human vision (love / death and life), and the political vision (freedom and justice).

The second chapter of the artistic formation in Nasr Nasi's poetry is presented through two topics.

The first revolves around morphology, language and terminology, and the concept of morphology in modern monetary studies, and semiotics.

As for the second topic, it deals with the stereotypical patterns in the book of the noble Nasr "Safar al-Bouazizi", through the availability of: mythological contrast, religious affiliation (Holy Quran / Hadith), and poetry (old Arabic poetry / modern Arabic poetry).

The study ends with a conclusion that gives summary of the main findings, and then a list of sources and references on which this study is based follows.

Main Subjects

Literature

Topics

• Tunisia
• Literary style
• Arabic poetry

No. of Pages

125

Table of Contents

• APA
• MLA
• AMA

Language

Arabic

Data Type

Arab Theses

Record ID

BIM-1043429