قصيدة النثر في العراق : فرج الحطاب انموذجا

Abstract EN

The prose poem is always a matter of dispute, as between those who support this poem, and others who do not recognize its existence at all, and thus, it began to develop slowly, especially in the early beginnings.

However, over time, it was able to find a foothold in the cultural arena.

Through the exclusive introduction to the Iraqi prose poem, we found that it was an individual work in the beginning which was not dangerous.

Its return, however, quickly intensified in the 1960s, when it took a collective form, and this became known as “generation, ” a term that arose to importance.

Faraj al-Hattab presented himself as an intellectual in the beginning and before he was a poet.

Therefore, his talent refined the various readings in addition to the awareness he enjoyed.

Influenced by Abu Tammam, Al-Mutanabi, and Abu Al-'Ala in the past, and Al-Sayyab and Adonis in the present, there is a bibliography of the books produced by Al-Hattab we mention.

It begins with Domestic Torrents and ends with the Politics of Pain and Meaning.

His collection Domestic Torrents (1996), was distinct on the artistic level as it was different to what was prevalent and widespread, especially as it lacked the romantic atmosphere, while it focused on the war and prevailed with all its might.

The second focus in the collection is the economic sanctions and thus, both the war and sanctions remained the best examples of the main themes.

As for the artistic characteristics of the poem of al-Hattab, he sheds light on it through language and image, so that the language and expressions established a dominant effect and branched out to other colloquial expressions that were present a lot in his poetic works.

In this work, I studied the poetic methods, which are the flashing image, the daily life, the neglected subject, the shocking expectation, questioning and repetition, and the image had an effect on his poetic works through the use of simile, the overall image, the paradox, and the metaphor.

Al-Hattab was more specific in making use of the ancient and modern Arab heritage, in addition to his benefit from international literature.

As for the results that I concluded, they are explained in the conclusion of the research.