ثنائية التقني و الجمالي في خطاب العرض المسرحي

Abstract EN

Our research deals with the role and function of technologies in their relationship and their compatibility with a visual system that forms and manifests the vision of the director in constructing his theatrical discourse and its furnishing with the mixing of all visual, auditory and interacting elements with contemporary variables in reading the theater scene both knowledge and aesthetically, if the research confirms that the aesthetic movement is not formality and lost images In the theatrical space, rather, it stems from the intellectual springs that the director translates by employing techniques that are not described by elements attached and added (by force) to a philosophical meaning, but rather a dramatic foundation based on two binaries combined to establish the structure of the presentation.