مصطلح الشعرية بين التأصيل و التنظير و الاصطلاح

Abstract EN

Poetry opens up in a graphic line interconnected with the reality of the artwork, with a realism that distinguishes a literary text from another, and its divergent visions existence, in the analogies of the image that produce its imaginary level, excreting an inventory of the inter-correspondences between reality simulation and the reality of the laws that programmed the textual output, and modeling the constant present to the evocated ent, in the genius of promptness, which in turn opens up his vision on the expected interpretation of the reception, depending on the effectiveness of the interpretation on how to work on the texts, to the nature of the organized engineering formation, which is filled with the reading mind, and sorts its creative activities on its bases.

The apparent is not an experience to anticipate, but rather it is expected to pay attention to the atrophic and condensed value in the symbols that inspire/emit openness, appreciation and relativity.

the coexistence of open poetry on the closed and the discovery of the intellectual mobile, the controller in directing the variable in the field of excellence and continuing to present the achievement.