جماليات التفكيك في رسوم كاظم نوير

Abstract EN

The study of this research revolves around the title "the Aesthetics of Dissociation in the Paintings of Kadhim Nwir ".

The research includes four chapters in which the first chapter has started systematically by exploring the problem of the research and the need for it.

Through this chapter one significant question is highlighted about the capability of the artist Kadhim Nwir to address the aesthetic of dissociation, to find a certain harmony that is involved with the trait of beauty in order to form an aesthetic work with dissociative perspectives.

Additionally this chapter also includes the importance of the research and the need for it, and then the aim of the research entitled " Knowing the Aesthetics of Dissociation in the Paintings of Kadhim Nwir".

Finally, chapter one ends by determining the terms of the research.

Accordingly, the second chapter includes the theoretical framework by following "the Aesthetic Thought References of Dissociation", in addition to the "Dismantling the Structure of Postmodern Paintings.

" And also throwing a good deal of light on" A Look at the Paintings of Kadhim Nwir ".

The third chapter includes the procedures of the research that contains the research community, which consists of (120) portraits related to the research community and specifically studied in relation to Kadhim Nwir paintings, as per the limits of the research.

Additionally the analysis on four paintings of Kadhim Nwir taken as the samples of the research.

Ultimately, the last chapter gives a representation of the findings and the conclusions of the research.