تعدد المناهج في قراءة النص الأدبي المعاصر : بحث في جهود عبد الملك مرتاض النقدية

Abstract EN

Departing from traditional poetic structures and creating new formats different from the old ones closed at all levels is one of the most important components of the new literary text, and this would free the poet from adhering to the fixed constructivist patterns, and then open the way for the text to openness to diversity and richness in construction and significance.

As it is well known to anyone, criticism is synonymous with creativity, or in other words it is a second language over a first language, so it was natural for criticism to change its tools, reading mechanisms and critical visions for this new text so that it can orb the paradigm shift that the creative process has known, and in line with the progressive development In which.

This paper examined the most important methodological critical tools that would have questioned the new text in its features and characteristics, and then revealed whether these approaches are capable of capturing all the worlds of the new text and how effective they are in front of this bet by extrapolating the critical efforts presented by Abdel-Malek Mortad in this field.