خصوصية الأداء في الرقص الدرامي عند بينا باوش

Abstract EN

The research discusses how Pina Bausch established the dramatic dance, making the body the master of the scene, which remains an equivocal matter, being dangerous, after freeing from the sacredness.

While ballet dance approaches a stage of condescending and not expressing people’s concerns.

This research consists of the introduction defining the research and the problem statement through elaborating the following questions: Does the dancer have the expressive abilities to deliver his or her discourse with the same intent of the show? What are the dancer and director’s limitations? The research uses practical and empirical methodologies establishing a distinct type of dance called (Dramatic Dance Theater), which seeks to unleash the body by the body.

The research consists of three sections, the first one is the old and new body language, the second section is the exclusiveness of Bausch’s performance while the last section is the research results and how Bausch availed of technologies /techniques eliminating the bounds of the time and place and getting out of the Italian norms to show an assortment of art that resembles nothing but itself.

Finally, the research depends on a list of different references and resources.