الدلالة الصوتية للخطاب القرآني

Abstract EN

The research studies the aesthetics expressions in the use of sounds and employs it to serve the Qur'anic discourse.

This study discusses the use and function of the Qur'anic voice and its character, tense and time.

Furthermore it sheds light on how the elements of the sounds are formed by movements, characters and words without addressing the internal rhythm of the verses such as lack of monotony, repetition, boredom or encounter.

The study also focuses on the external rhythm such as the Qur'anic intervals and the general vocal context in a surah or in the Holy Qur'an.

The researcher puts forwards several results and concludes that: First.

The voice context is the guardian of the parallelism and harmony between the sounds, i.

e.

, in Qur'anic discourse, the letters are distributed in the chosen words to avoid the gathering of sounds with convergent existences.

Second, the audio format vary according to the diversity of the atmosphere presented by the context, in other words, there is music in praying and sound track that reflects the change of the universe features and so on.