تقاطع التناص و المفارقة في نماذج من شعر محمود درويش و عبد الرزاق عبد الواحد

Abstract EN

Paradox is a stylistic technique that is generally based on contrast and contradiction, through which the poet seeks to change the direction of significance in front of the reader.

This research paper aims to track and monitor the intersections that occur between the paradox and intertextuality in the poetry's models of Mahmoud Darwish and Abdel-Razzaq Abdel-Wahid, and to reveal the privacy and uniqueness that both intertextuality and paradoxism acquires in cases of intersection between them, in order to reach the verbal and semantic formation upon which both poets relied in the reproduction of paradox and reproduction.