الزنوجة و تمثلاتها في النص المسرحي الأمريكي

Abstract EN

The African continent was characterized by its uniqueness and its unique cultural heritage by a large number of values, traditions and intellectual and cultural systems imposed by the nature of the social and life environment and its tribal system of the Black Continent population communities, which had been subjected to several European intellectual invasions that attempted to obliterate and alter the cultural and intellectual features of that civilization which was intellectually rooted in the African peoples who lived together Its culture and its flourishing cultural character, which made the continent a focus of attention to the European invasion coming from the West under the pretext of transferring cultural developments from Europe, the country of mother civilization to African society.

I put the cultural low point of view from the perspective of the other European coming from the West, which paved the way to the emergence of intellectual cultural movements by a number of thinkers, writers, authors and authors who took responsibility for maintaining and addressing all forms of European civilization invasion through their writings and literature and artistic findings to maintain and adhere to all the fundamentals and foundations of African civilization And to confirm their authenticity and specificity through these artistic, literary and intellectual productions, including theatrical texts as a means of intellectual and aesthetic discourse that seeks to spread, reinforce and highlight the cultural identity of African society.

The first chapter included the problem of research, which was formulated through the following question: What are the variations that I have in the Negro text in the South of the United States of America, effectively the effect of the thought of Negro and its manifestations within These texts also included the importance of the research in that it provides a logical study Bakr has not been dealt with before and show their importance and function in the African theater and miscellaneous activities also included chapter research goal to identify Negro in the theater Negro in the United States (1960_1990) and place in the South of the United States of America, and objectively the texts of the play that reflected the concepts of Negro and the Negro thought.

The second chapter included two topics, the first of which was identified on the Negro term and concept.

The second section was Negro theater and identification in the South The United States of America, and the third chapter included research procedures and identify the research community consisting of (seven texts of the play), which enables the researchers to collect and limited within the temporal limit of the search and were selected two of them in the manner of intentional (the day of absence) The researcher concluded the study with the fourth chapter, which included the results, conclusions, recommendations, proposals and list of sources.

Among the most important results reached by the researchers are: 1- Stream comprehensive and influential in all arts and the arts, especially in the theater because of its ability to immunize the Negro personality.

2- Effect and represent the Negro through the agreement in defense of heritage and civilization and history Negro and its importance play (constraint) 3- hit the center of the dominant white and refuted the idea of black marginalized of the Negro in the play (the day of absence) 4- Put the hand on the social imbalance and evaluation, which was evident in the play (constraint) 5- The black man and the Negro woman have what makes them active people and that trying to miss them means the failure of life 6- and disable it because life multiple colors (the day of absence)