المرتكزات الفكرية للفن الإسلامي و تمثلاتها في تصاميم الفن البصري

Abstract EN

This study is concerned with (the ideational bases of Islamic art and its representions in the designs of Op.Art) .

This study contains four chapters .

chapter one includes the problem of the research , importance , aims , limitations , and the terms of the research .

The problem of the research deals with the ideational bases of Islamic art and its representions in the designs of Op.Art through the answer of the following questions : - Was there an effect for the ideational bases of Islamic art and its representions in the designs of Op.Art? - How did the Op.artist employ the ideational bases of Islamic art in his artistic designs ? The present research has aim , namely , the introducing on the ideational bases of is Islamic art and its representions in the designs of Op.Art .

A regards its limits , the research is concerned in the study of ideational bases of Islamic art and its representions in the designs of Op.Art that are made and done from (1960 – 1988) in American United States and Europe .

Chapter two includes the theoretical lay-out of the research and the theoretical lay-out includes two section : the first section deals with the study of (the ideational bases of Islamic religion and its effect on Islamic Art) .

the second section deals with the study of the (structural formation of Op Art designs) .

Chapter three deals with the research procedures which includes identifying the research community which contains (35) artworks , and the research samples were (5) artworks , then the research instrument , research method , athetic and statistical means , and finally the samples analysis .

Chapter four includes the results , conclusions , resommenditions and suggestions of research .