حوارية الأجناس الأدبية و انتهاك المعايير في رواية ما بعد الحداثة : دراسة في رواية "من اعترافات ذاكرة البيدق" لعباس خلف

Abstract EN

The aim of this study is to search for the specificity of literary genres and their interaction with the fictional genre.

Indeed, the contemporary Arab novel puts into question the traditional Romanesque forms characterized by the respect of the constant norms and predefined aesthetic rules.

"Minitirafat dhakirat el-baidaq" is one of those novels where the breaking of codes is manifest.

This novel that highlights the explosion and promotes certain creativity beyond the generic limits.

There is a certain interference of several literary genres in this novel which destroys the theory of pure literary genre to offer us a multiple genre or a dialogue of many kinds: poetry, autobiography, myth, etc.

Thus, we are in front of an open novel that comes out of its straitjacket.

As for the problem, it consists of a series of questions related to the reading of this novel: will the new novel or the postmodern novel be able to dialogue with other literary genres to question the purity of the genre? literary? How is this breakdown of codes and genres manifested in Abbas Khalaf Ali's novel?