التأمل و المناجاة في شعر محمود حسن إسماعيل : ديوان "صوت من الله" نموذجا

Abstract EN

This research examines two seminal artistic elements that stand out in the poetry of Mahmoud Hassan Ismail, namely the element of contemplation and apostrophe, with their different purposes and subjects.

These two elements added to his poetry a sufistic aspect extended through the various poetic progress.

The poet was deeply influenced by his early living in the Egyptian countryside as well as the prevailing political and social conditions at the time.

He did not cope up with such reality and saw it as insulting to the human being and his dignity.

Therefore he resorted to nature, where he found his comfort and soul far from human nature.

through his reflections on nature, history and life, the poet has been able to produce a poetic mixture of consciousness between the different sensations and situations.

Such being the case, he mirrorred himself and extensiveley demonstrated his poetry and poetism to the point where contemplation and apostrophe have become the most prominent feature of his poetry.

The poems enlivened apostrophe sceneries were not separate from the contemplation poems.

The poet linked his contemplation and his divine pleasures to create an atmosphere of sufism that is not separated from man in terms of his humanity.

Apostrophe was filled with praise and seeking forgiveness from the creator of these creatures, which gave him another alternative life that presented him an escape from the actual life.

Through most of his contemplation and apostrophe poems, he has been able to combine natural ingredients with emotional and poetic states of emotions.