شعرية الإيقاع في خطاب النفري

Abstract EN

Rhythm goes beyond rhyme to other phonemic elements that contribute to the musical formation of the text.

According to jean Cohen the poetic rhythm takes precedence over the linguistic signifier in poetic discourse, as the signifier alone possesses the ability to spread the musical rhythm in discourse by analogy with other phonetic functions.

For Cohen types of symmetries that occur between the adjacent elements in the text are divided into three: symmetry at the sign level, symmetry at the sign level, and analogy at the level of meaning.

In this study, the attempt is to investigate these similarities in Al Nifari texts, as well as his intended poetic rhythm in his speech, which is characterized by a special phonemic system, and abounds in phonological and semantic analogies that give his texts a rich musical rhythm.

al-Nafri worked to obstruct the phonemic system differences in the language in order to achieve the displacement of his speech at the phonemic level.