آليات التلقي في السرد العربي الحديث : قراءة في رواية الدجال لشوقي الصليعي نموذجا

Abstract EN

Summary.

Reading any narrative literary work is a demonstration of that interaction that exists between the structure of the text and its recipient, the latter that works on the actual production that does not appear except through the reader's passing through the various stations with which the text is useful.

The text is not the same as the author's death, but for the sake of the life of the text, which calls for the birth of the aesthetics of receiving.

The experience of the novelist Shawqi al-Sulai'i, in the novel “The Antichrist, ” evokes us in the novel “The Dajjal.

A number of issues circulated in the narrative texts that worked to end the spirit of the question that inhabited the inner part of the readers, so the novelist was led by the research into the current Tunisian fictional practice, and these lines came as our contribution to crystallizing an idea that tried to create a dramatic fictional space that works on a new narrative experience according to the proposal A critical modernist - the act of reading - that works on moving the depths of the text and interrogating the elements of its construction, and then the reader's participation in rebuilding it, and then the title of this paper was formulated as follows: Mechanisms of receptivity in the Arabic narration Hadith, reading in the novel of the Antichrist by Shawqi Al-Salai'i as a model