انفتاح و انغلاق الخطاب الشعري العربي المعاصر : "تميم البرغوثي" أنموذجا

Abstract EN

Summary: this article looks for the phenomenon of openness and closure in contemporary Arab poetry, through the analytical application of the Arabic poem the contemporary Palestinian poet tamim Barghouti, in which we stood on the question that first came to our mind, “ Is the contemporary poetic discourse open? ”, the theoretical entry we mentioned was “ the Arab poetic text between openness and closure” But this time we expanded the search circle of the Arabic poetry text and what it has surrounded since the first mature beginnings.

The search went on to mention the most important mechanisms of openness in Tamim Al-Barghouti's speech and we tried to show how the text benefited from its openness of race the theory or the deversion (text deversion), and how he took the symbol, myth, masks, and heritage characters as the means of double or multi – openness Over the past, present, modernist, heritage and fantasy the most important of these is the fact that we have finally achieved several results: It was not a period of history, but a result of the accumulation of an open culture that rides to social, cultural and artistic political conditions, at the beginning from the invitation of the book of god “ the Holy Koran to the knowledge of the peoples Each otherKnowledge of ancient cultures and obsolete civilizations, and then call for dialog, and then through an expansion movement that eventually led to translations of science the literature and arts until the event of periods of cultural closing took place when poetry was receded, but it did not die.

And Finally, we reached the mechanisms of openness in the text Tamim Al-Barghouthi's poetic text, and we offered it a beginning for opening up to the historical event and then to the Arabic poetry In the first place, Barghouti's poetic rhetoric has been open