"المقدمة" التأصيل النظري بين الوعي الغربي و التراث العربي

Abstract EN

The introduction is generally regarded as a useful and introductory speech to the author by containing a few references to clarify what may be difficult for the reader to understand, and the introduction refers to some elementary elements of the fictional work of the author.

'writer through his contribution to the surrounding literary genre because it tells us definitively whether the literary content is a novel or other, which distinguishes it between the literary genres; It also helps to scrutinize the critical consciousness of the writer through his view of writing in general, and the threshold of the introduction as parallel text renders the text around it and provides an illustration around it that the ordinary reader may find it difficult to always surround him because he gives the text a deliberative dimension.

It works to influence the reader, thus forming what one might call an introductory charter ; This indicates a particular intention in developing a tight strategy for reading and establishing a specific deliberative process by linking the act of writing and ensuring that the positive interaction between these elements represented in the text, the writer and the reader are agitated and in this study we return the introduction to its profound theoretical manifestations among the Western studies which established it.

And between the Arab roots, to clarify the complete and complete theoretical foundations.

Abstract FRE

L'introduction est généralement considérée comme un assistant et une lettre préparatoire à l'auteur en incluant quelques références pour éclairer ce qui pourrait être difficile à comprendre sur le lecteur.

L'introduction fait également référence à certains des éléments initiaux de l'œuvre romancière de l'écrivain par sa contribution au genre littéraire, nous disant certainement si l'œuvre est un roman ou autrement qui le distingue parmi les genres littéraires ; En plus il contribue également à interroger la conscience critique de l'écrivain à travers sa vision de l'écriture en général, et dans cette étude nous revenons à l'introduction de ses manifestations théoriques profondes entre les études occidentales qui se sont établies pour lui, et entre les racines arabes, pour clarifier l'enracinement théorique complet de lui.