التواصل الجمالي للشعر في النقد المغاربي القديم

Abstract EN

Poetry in ancient Magharebian criticism is an independent art holding its own characteristics as being imaginative and oral.

it targets provocation and emotion, and the effectiveness of its imagination lies in its inseparability from the formal and sematic structure.

truth and lie are not considered as parts of its characteristics, but its aim is to deepening the efficacy of the imagination.

talking about aesthetic means of communication aims at revealing the manifestations of reception by one of the most famous critics and rhetoricians of the seventh and eighth centuries h in the Islamic Maghreb.

where they are shown their wide interest in the conditions of the listener and the speaker and their talk about the poetry of the speech from the point of view of the recipient and the position of poetic speech of himself as a major party in the process of poetic creativity, and the characteristics of aesthetic communication in the eyes of these critics based on the needs of the recipient and his motivations to read poetry in provocation, excitement, influence and enjoyment, which the research seeks to identify.