بنية الزمان القصصي عند أمين ريان

Abstract EN

The writer used the techniques of time paradox (retrieval, anticipation) well-employed in his stories; retrieval was the most authoritative techniques; the three patterns of recovery (external, internal, synthesizer) formed a prominent feature.

The forms of recitation varied from an internal monologue to an obscure interpretation of the title, and the present and present fragmentation of the present; this created a kind of thrill and excitement, while there was less anticipation.

Time-consuming functional functions in the stories of the writer, including (filling gaps in the narration, highlighting a character or event, as well as interpretive function), which helped to dispel boredom in the reader.

The four narrative rhythms (summarizing, deleting, descriptive, and scene) have had a good deal of writer's stories and have been able to employ them well; thus achieving the short story's goal: intensification, concision, and the abandonment of the non-employee prolongatio