بنية اللون بين الانطباعية و التعبيرية

Abstract EN

This research is concerned with studying (The Color Structure Between Impressionism and Expressionism).

It falls into four chapters.

The first chapter is designated to the illustration of the research problem, the significance and the need for it, the objective and the research boundaries, as well as specifying the most important terms that are mentioned in the research.The problem of the research tackled how close and/or distant the two schools are in terms of color structure.

This can be attained through preparing a study that is concerned with the color structure in painting, generally, and the modern painting in particular.

After having the outcomes of both Impressionism and Expressionism fixed, concerning the color structure.

The comprehension of the philosophical vision of the linked aesthetic impact (color structure), which is an intellectual projection that receives the cognitive projections and holds the psychological motivation of the artist.

They come into light while reading the aesthetic, semantic, and beneficial function of work context within the conceptual painting.And because the paintings of both schools were moved by metaphors of forms and pictures perceptions in accordance with suggestive, emotional, and taste functional pattern of the chromatic structure elements and its intellectual formations within the painting.

The aesthetics of colors are visual and practical diagnosis of the relations that holds the whole painting’s infrastructure.

From what preceded, we deduce the problem of the current research, trying to solve several questions: Revealing the color structure in both schools, and how close and/or distant they are?The significance of the research was evident as it represents an attempt to setting the foundations and structural terms for color for both schools.

The study allows the connoisseurs of art and those who are interested in the field to get acquainted with the aesthetic and structural relationship between that connects both schools in terms of chromatic structure.

It is also beneficial for those interested in the Plastic Art criticism.The researcher found out the importance of this study.

It is represented in the fact that the subject was not thoroughly and independently tackled in previous studies.

Furthermore, it was also because of the lack of academic researches that studied this period of the international Art History.The research has a comprehensive objective: The identification of the Color Structure of Impressionism and Expressionism