جماليات القرآن الكريم و الشعر العربي : بين أساليب التمني و الترجي

Abstract EN

The rhetorical scholars have been tried long time ago to understand the getting of true signifies of those terms that their real meaning which impresses Tamanna and Taraja style.

And at the same time, it is specified that the expressive style is applied from one meaning into another sense sometimes, although there are many used instrumentation in this expressive style, and sometimes according to the text type of their application they replace each other; so that these applications have been not easily distinguished and determined, therefore, we observe that some scholars, such as Al Hariry states caustically to some of these people that these individuals do not know the different between Tamanna and Taraja.

To some extent, it is obvious that the application proximity of these meanings application (Tamanna and Taraja) use instead of each other, and this application is popular with the rhetorical scholars.

Thus, this study aims to express the importance of aesthetic of the meanings of the terms and the instrumentation in these two expressive styles and how their application in Quran text through the Quern’s response to the following questions: • What has been the scholars’ perspective on using expressive style of Tamanna and Taraja? • How has been the structure stylistic of Tamanna and Taraja within Quran text structure? • Is there any differences between these two styles in Quran from the perspective of aesthetic?