التناص القرآني في القصيدة العمودية الجديدة في مصر: بنياته ودلالاته

Abstract EN

Qur'an is the highest source for; intertextuality in the neo-classical poem; for its deep influence in forming both culture and identity, for its miraculous rhetoric, and for its fundamental role in consciousness and values formation.

it varies to four types: quoted text style, indicative style, implicative type, and Qur'anic lexical style.

Quotational is the least in use, but it has a semantic effectiveness that enriches the poetic context.

the indicative is the most used one, for poets tend to use radiant words that brings to minds the Qur'anic context.

the implicative form comes covert in its links with the referential text; based on verse meanings not its words.

the receiver is always present; producing the signification, bringing values, opening text to its context of spiritual values and its referential frame that produces its world vision that is embodied in it in a coherent form; semantically and artistically.