فنية هندسة رصف الرسم الأيقوني للمتن الروائي في روايتي " أحلام مريم الوديعة -و " أنثى السراب" ل "واسني الأعرج"

Abstract EN

The artistic contrast in the form of the novelistic text is considered an essential feature of the Arab novel in general and the Algerian in particular, in its novelistic model “Wasini Al-Araj”, and a method by which he enters the trajectories of artistic modernity and a teacher of contemporary creativity, in his novelistic text that competes with the international novel in creative renewal, to be an imaginary “Wasini” The Lame is an aspect of novelist renewal that seeks a new formal proposition that accommodates the artistic experience with its various ideological loads and psychological dimensions.

So it came as a founding art form through the game of iconic painting as the bearer of the intentional meaning that the creator broadcasts to address its recipient.

How did the art of the iconic painting manifest itself in my novels, “The Decent Dreams of Maryam and the Female Mirage”?, and how did it contribute to building a new cognitive taste in the process of receiving?