الزمن النحوي في شعر قاسم حداد : ديوان "القيامة" انموذجا

Abstract EN

The attempt to trace the grammatical time in the Divan of the Resurrection puts the meeting in front of the temporal spaces that are almost continuous.

The poet tried, through his divan which consisted of a long poem divided into four sections.

Each section has a title of the head, branch, entrance and conclusion.

It was also observed that the time or tenses change by the manipulation of actions and vocabulary items to reinforce the various clues that prevented the diwan from being divided into unrelated gaps.

Although this division would confuse the readers at first, they quickly could gather their thoughts on the text, which was characterized in its general construction by a definite hierarchy.

As for the artistic construction of the text from within, the poet used the techniques of the narrative text and technical mechanisms related to the poetry itself.