صناعة العنوان الروائي و دلالاته عند و اسيني الأعرج : ثلاث قراءات في ثلاثة نماذج مختارة

Abstract EN

This essay talks about the production of the title and its deeply implications by the Algerian novelist Waciny Laredj in his three chosen models named as follows: Almond Flowers ( Nawar Al-louz) – The Aliennation of Salah Benamer Ezzawfari, Water Memory ( Dakiratu Al Maa) – The Plight of the Naked Madness, 2084- The Story of the Last Arab, As soon as the recipient reads these titles, he will figure out its intensity so that, it highers from the level of informing, that aims a transmission aim, to the level of the language full of semantics and pragmatics; leading to the space, the time, or the heroic personality of the work as well as it may lead to other texts, pushing the reader to look for the hypertextuality between the preceding texts and the following iones.