التحول الأدائي للشخصية في عروض المسرح العراقي : مسرحية ياحريمة أنموذجا

Abstract EN

The performance of the actor passed through several periods of time in which the performance differed between lyric texts and poetic texts, as it took a fairly stable character, especially in the early beginnings of the actor's performance and with the emergence of realism, the performance withdrew towards the lived life and was more convincing, influential and sincere, especially for (Stanislavsky) Who called for a set of techniques that help the actor to transform the performative and impersonate the personality, and accordingly the researcher raised the following question:(Does the performance transformation mechanism lead to aesthetic pleasure for the recipient), and the researcher set his goal with the following title: (the mechanism of the diverse performance transformation of the ideals in the personality), The research included two studies, the first is the stages of performance development through the ages, in which the researcher dealt with the most important historical stages that passed on the concept of representational performance from the Greeks to the modern era As for the second topic, it came under the title of the mechanisms of the performance transformation of the personality, in which the researcher dealt with the most important foundations and techniques that help the actor in the transformation process.

To be consistent with the course of the research and its goal, and the research tools were (what the theoretical framework resulted in in terms of indicators, recordings, direct observation and documents).

Then the researcher came up with a set of results and discussion that resulted in a set of conclusions, recommendations, proposals and finally a list of sources.