إشراقات الصوفية في الخطاب المسرحي العراقي
Other Title(s)
Ishraqat Sufism in Iraqi theatrical discourse
Author
Source
مجلة جامعة بابل للعلوم الإنسانية
Issue
Vol. 28, Issue 7 (31 Jul. 2020), pp.190-212, 23 p.
Publisher
Publication Date
2020-07-31
Country of Publication
Iraq
No. of Pages
23
Main Subjects
Abstract EN
Sufism represents a stage of religious awareness rooted in the human self, as it is a form of worship that seeks the divine self and found its echo in theatrical discourse.
The extension of its thought and its interference in the theater is not strange.
The current research contains four chapters.
The first chapter deals with the research problem represented in the following question: Did the brilliance and independence of Sufi thought as an intellectual current extend the theatrical discourse with new interpretations and spaces that gave it an added aesthetic dimension? The chapter also included (the importance of research) by shedding light on the study of benefit and the work on the subject of Sufism in theatrical discourse, and the chapter also contained (the aim of the research), which was limited to identifying the radiance of Sufism in the theatrical discourse and included the chapter on the limits of research that were defined in the period (1983-)2012) and spatially, the theatrical performances presented in (Iraq) and (Jordan).
As for thematically, the study focused on Sufism and its shinning in theatrical discourse.
As for the second chapter, it included the theoretical framework and previous studies and included two topics.
The first concerned with the concept of Sufism and its references and crystallized this concept and introduces it, while the second dealt with the Sufi performances in theatrical discourse and the mechanism of its brightening.
The chapter focused on previous studies and their discussion and indicators that resulted from the theoretical framework While the third chapter included (research procedures) represented by the research community and its samples that were chosen in an intentionally based manner based on the theoretical framework indicators by being an analysis tool within a descriptive (analytical) approach and viewing the performances so that the two theatrical performances were analyzed (Tawasin and Nuriyyah), while the fourth chapter came with the results and then concluded Chapter of conclusions, recommendations and proposals.
American Psychological Association (APA)
البدري، شيماء حسين طاهر عباس. 2020. إشراقات الصوفية في الخطاب المسرحي العراقي. مجلة جامعة بابل للعلوم الإنسانية،مج. 28، ع. 7، ص ص. 190-212.
https://search.emarefa.net/detail/BIM-1265054
Modern Language Association (MLA)
البدري، شيماء حسين طاهر عباس. إشراقات الصوفية في الخطاب المسرحي العراقي. مجلة جامعة بابل للعلوم الإنسانية مج. 28، ع. 7 (2020)، ص ص. 190-212.
https://search.emarefa.net/detail/BIM-1265054
American Medical Association (AMA)
البدري، شيماء حسين طاهر عباس. إشراقات الصوفية في الخطاب المسرحي العراقي. مجلة جامعة بابل للعلوم الإنسانية. 2020. مج. 28، ع. 7، ص ص. 190-212.
https://search.emarefa.net/detail/BIM-1265054
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن مراجع ببليوجرافية : ص. 211-212
Record ID
BIM-1265054