جماليات الطبيعة في الفن الررومانسي
Other Title(s)
Aesthetics of nature in Romantic art
Author
Source
مجلة جامعة بابل للعلوم الإنسانية
Issue
Vol. 28, Issue 7 (31 Jul. 2020), pp.289-301, 13 p.
Publisher
Publication Date
2020-07-31
Country of Publication
Iraq
No. of Pages
13
Main Subjects
Abstract EN
The current research deals with the topic (Aesthetics of Nature in Romantic Art) and consists of four chapters.
The first chapter posed the problem of research, its importance and the aim of the research.
The research problem focused on the following questions (What are the most important aesthetic features that the romantic artist adopted through his unique view of nature and how was this reflected on His plastic artistic accomplishment is in error and color, in form and content?) As for the second chapter, it included two topics: the first (beauty in romantic thought) and the second topic (nature in romantic art).
Intentionally, the fourth chapter deals with the results, including: 1-The aesthetic of romantic nature paintings emerged through a perfect realism in the technical and stylistic side by abandoning tradition and craftsmanship while choosing aspects of nature in which the artist responds to his sense of the beauty of the scene and the naturalness as shown in the sample (1, 2 and 3) 2-The artist’s interest in conveying his psychological and subjective experience with nature, which was reflected in the artist’s style and his representation of nature scenes loaded with his desires, worries, and lived experience as shown in the sample (1, 2and .3)Research Summary The current research deals with the topic (Aesthetics of Nature in Romantic Art) and consists of four chapters.
The first chapter posed the problem of research, its importance and the aim of the research.
The research problem focused on the following questions (What are the most important aesthetic features that the romantic artist adopted through his unique view of nature and how was this reflected on His plastic artistic accomplishment is in error and color, in form and content?) As for the second chapter, it included two topics: the first (beauty in romantic thought) and the second topic (nature in romantic art).
Intentionally, the fourth chapter deals with the results, including: 1-The aesthetic of romantic nature paintings emerged through a perfect realism in the technical and stylistic side by abandoning tradition and craftsmanship while choosing aspects of nature in which the artist responds to his sense of the beauty of the scene and the naturalness as shown in the sample (1, 2 and 3).
2- The artist’s interest in conveying his psychological and subjective experience with nature, which was reflected in the artist’s style and his representation of nature scenes loaded with his desires, worries, and lived experience as shown in the sample (1, 2and.3).
American Psychological Association (APA)
الكعبي، غسق حسن مسلم. 2020. جماليات الطبيعة في الفن الررومانسي. مجلة جامعة بابل للعلوم الإنسانية،مج. 28، ع. 7، ص ص. 289-301.
https://search.emarefa.net/detail/BIM-1265062
Modern Language Association (MLA)
الكعبي، غسق حسن مسلم. جماليات الطبيعة في الفن الررومانسي. مجلة جامعة بابل للعلوم الإنسانية مج. 28، ع. 7 (2020)، ص ص. 289-301.
https://search.emarefa.net/detail/BIM-1265062
American Medical Association (AMA)
الكعبي، غسق حسن مسلم. جماليات الطبيعة في الفن الررومانسي. مجلة جامعة بابل للعلوم الإنسانية. 2020. مج. 28، ع. 7، ص ص. 289-301.
https://search.emarefa.net/detail/BIM-1265062
Data Type
Journal Articles
Language
Arabic
Notes
النص باللغة العربية مع مستخلصين باللغة العربية و الإنجليزية.
Record ID
BIM-1265062