النص المسرحي العربي في عقد الستينيات

Abstract EN

The study deals with the theatrical texts through which some playwrights expressed the bitter and inhuman reality of the Arab nation through their theatrical texts indicating their protest, rebellion and rejection of the inhuman reality that the Arab nation is experiencing in the sixties, which witnessed social and political events and transformations that helped to strengthen the national trend after it reached its climax.

In that period, the setback of June (1967) was the most push for this trend in poetic, prose, artistic and theatrical creativity.

The theoretical framework consists of two topics.

The first one deals with the impact of the June setback on the Arab theater, and the second one deals with the sociology of Arab theater.

The procedures included the research community of (13) an Arab theatrical text by the Syrian playwright (Saadallah Wanous) for the period of time (1961-1969) and the analysis of the sample embodied in the theatrical text (The Elephant, King of Time) in (1969).

Among the most important results of the research (1) The Arab theater in the 1960s has become an expression of the tragedy of the contemporary man in the twentieth century, a man of fear, hunger, anxiety and surrender, a man of emptiness, pain and loss (2) The Arab playwright expresses the concerns of his people and their suffering, as he speaks in the name of the people honestly, and documents The suffering of the Arab peoples in general, not the suffering of a specific people, and (3) the 1960s is the foundation stage at all levels.