درامية الموسيقى التصويرية : في فيلم الرسالة أنموذجا

Abstract EN

Soundtrack is one of the sound elements that go into building the fabric of cinematic film.

From this standpoint, many filmmakers see that interest in the musical composer in the composition of soundtrack has become a craft that is special for those with composition capabilities because it needs high skill and accuracy in coordination between sound and image, when watching Any cinematic movie, naturally we follow the image and are attracted to it with passion and even consider those prominent signs in it with great interest and narration, it is the sound with its divisions of dialogue, music, special effects and even silence.

Rather, her presence advanced in lending the distinctive sound element in directing her towards the authorship of the film with the professionalism of the makers and writers of the notes accompanying the orchestra with all its instruments in harmony with every shot in the scene, which has significance in expression.

This is what the researchers called for to justify the presence of music as an integral part of the dignity, Where they found the idea of being exposed to the research tagged with (dramatic soundtrack in the film Al Risala as a model), so the following question was (Is it possible to change the need for Why does the soundtrack in realizing sensational scenes and controlling feelings and emotions with other sound elements?).

The research includes an introduction and a summary of four chapters.

The first includes the methodological framework, including an introduction in which the two researchers discussed the concept of music and dignity and how they are represented in the film The message, as well as presenting the research problem, importance, goals, limits of research and terminology.

The second chapter includes three topics, (movie music and its expressive language), (music coincides with dramatic events), (music drama and picture compatibility).

As for the third chapter, it includes the research procedures by analyzing selected scenes from the film The Message, and the fourth chapter contains the results, conclusions and recommendations, and it includes a list of sources and references and a summary in the English language.

In the scene, which has significance in expression, this is what prompted the two researchers to justify the presence of music as an integral part of dignity, where they found the idea of exposure to research tagged with (dramatic soundtrack in the message film as a model), so the following question was (Is it possible to change the film's need for sound music In realizing sensational scenes and controlling feelings and emotions with other sound elements?).

The research includes an introduction and a summary of four chapters.

The first includes the methodological framework, including an introduction in which the two researchers discussed the concept of music and dignity and how they are represented in the film the message, as well as presenting the research problem, importance, goals, limits of research and terminology.

The second chapter includes three topics, (movie music and its expressive language), (music coincides with dramatic events), (music drama and picture compatibility).

As for the third chapter, it includes the research procedures by analyzing selected scenes from the film Al-Ressala, and the fourth chapter contains the results, conclusions and recommendations, and it includes a list of sources and references and a summary in English.