سمات التغريب في رسوم خوان ميرو

Abstract EN

Concept of alienation is considered a rooting feature in the products of artists due to their moving away from every natural things, and their undergoing to engineering maniac that liberates them from earning the natural shapes, and to submitting more fantasy forms full with meanings and evidences that contradicts with to materialistic reality, to let the research's problem to emanate through the reply of this question ( Did works of Khwan Miro include features of alienation?), the research aimed to ( Identifying the features of alienation in the paints of Khwan Miro), while the boundaries of research were limited to study works of the artist (Khwan Miro) between (1930-1981), and identifying some terms of this study, second chapter included two sections , first one tackled with (Aesthetic and conceptual beliefs of alienation ), second section was about (Approaches of alienation in the modern European painting ), this chapter was finalized with indications that benefit the research as bases to build the tool.

Procedures of research included population of (140) artistic work, being choosing (3) samples of them to the sample of research were picked up by intentional method to meet the research's need, the results were : - 1Dominating phenomena in works of (Khwan Miro ) was the ability to play with forms as same as in all samples .

- 2Forms of modifications and their applications were contrasted in the products of (Khwan Miro) according to contexts of drawing structures as in all samples.

Then recommendations and suggestions of the researcher about the research