The consciousness of pluralism and cosmopolitanism in barrage’s walls and Kennedy’s the Ohio state murders

Abstract EN

This research aims at discussing the consciousness of philosophies of pluralism and cosmopolitanism in Barroga's Walls and Kennedy's The Ohio State Murders.

It examines the experiences of violence and marginalization that are clearly manifested in these two plays under research as there are incommensurable ethnic positions, non-communicative social and cultural locations in these models of Asian- and African- American dramas.

Moreover, it investigates how the American community should be either ethically or organizationally privileged over other forms of sociality as well as the pressing recognition of diversity, which permits the peaceful coexistence of different interests, convictions and lifestyles.